6 Week Theatre Challenge: 21 -25

21. What is the most disappointing thing you have seen at the theatre?

Most definitely Michael Grandage's production of King Lear was the most disappointing thing I have seen at the theatre. I suspect that I might have succumbed to the hype before I went to see it which probably didn't help. If I hadn't heard comments like 'the finest King Lear I have ever seen' (Daily Telegraph) this decent production wouldn't have felt like such a let down. Gina McKee, on the other hand, was brilliant as Goneril.

22. Which actor/actress do you wish did more stage work?

I would love to see Gillian Anderson do more stage work, as well as Damian Lewis.

23. Which theatre have you been to most?

The National Theatre due to their huge repertoire and the fact that they can stage numerous productions at the same time. I find there is always something on at the National which I would like to see.

24. Is there a specific theatre you would like to go to more?

I would like to go to more regional theatres more often such as the Liverpool Everyman and Sheffield Crucible.

25. What do you wear when you go to the theatre?

When seeing an opera or ballet I opt for more formal attire (but not too formal), other than that I dress casually.

Unrestricted #4

Film: Election

Election, adapted to screen by Alexander Payne, follows a career minded and determined senior, Tracy Flick (Reese Witherspoon), throughout her student body election campaign. Matthew Broderick brilliant plays Tracy's teacher, Jim, who not only slowly becomes more and more attracted to Tracy, but whose life literally crumbles before your eyes. Although not your run of the mill comedy film, Election is quirky, witty, funny and extremely well written, therefore making it an extremely good film. 

Literature: Margaret Attwood - Oryx and Crake

Mararet Attwood's eleventh novel is fascinating, bleak and gripping all at the same time. Set between a series of flashbacks and 'real-time', we follow the character of Jim as we learn what became of the world and how it got to the state that we can see it in through the eyes of Snowman. The concepts and characters in Attwood's slick dystopia are beautifully rendered and are formed with the up most intelligence. Attwood has stated that she sees this novel as a niece of 'speculative fiction' and not science fiction, and I can see why. Whilst the technology featured may be deemed futuristic, the overarching themes are of humanity and what we are capable of in a society which keeps growing and advancing. This book is stunning, whilst also not over confusing itself and its reader which is easy to do when dealing with this genre. I would not only recomend this book, but I would also rank it as one of the best of the decade.

6 Week Theatre Challenge: 16 -20

16. What is the best use of set you have seen?

The set for Frankenstein was brilliant, imaginative and highly visual.

17. What is your favourite regional theatre?

The Liverpool Everyman is a charming theatre which is currently undergoing a renovation. I really hope that it keeps all its unique qualities and doesn't lose any of its quirkiness.

18. What is the best opera you have seen?

The best opera I have seen is Opera North's staging of Wanger's Die Walkure. You can see my review of it here.

19. What is the most recent thing you have seen at the theatre?

Metamorphosis Titian: 2012 is the most recent thing I have seen. You can view my review here.

20. What is the saddest thing you have seen at the theatre?

I haven't found that many productions highly emotional, however Machina nearly brought a tear to my eye. The end of King Lear always has me feeling glum.

Metamorphosis Titian: 2012 - Review Roundup

I was highly impressed with Metamorphosis Titian: 2012, a collaboration between the Royal Ballet and National Gallery, giving it a full five stars. This is what the critics made of it:

The Independent

Zoe Anderson in The Independent have given Dame Monica Mason's last production as Director of the Royal Ballet four stars. Anderson begins by stating that it is 'a coherent, stylish evening', continuing by commentating that Machina is the 'boldest' of all three works. The robot is described as 'big and delicate' and Acosta and Rojo's duet is called 'alert'. Anderson remarks, however, that Diana and Actaeon is 'weaker' and how the story has 'far too much repetition'.

Evening Standard

Viv Groskop in the Evening Standard, like me, has awarded Metamorphosis Titian; 2012 five stars. Machina onwards, Groskop explains, showed 'the Royal Ballet at its best'. 'Precise, sinewy movements' is how Groskop describes Watson's dancing, assessing how they 'evoked mechanical grace'. The second ballet, Tresspass, is described as 'episodic', 'haunting' and 'mesmerising', whilst also stating how Marianela Nunez's performance as Diana in the final ballet was 'majestic'.

Financial Times

Clement Crisp in the Financial Times has given the ballet under discussion four stars, commenting how the dances were 'handsome, assured and intruiging'. Machina is described as 'advenurous', the dancing in Tresspass is called 'stunning' and 'ravishing' and the final ballet's score is 'luscious' according to Crisp.

The Telegraph

Mark Monahan in The Telegraph's three star review begins by saying how the ballet is 'one of the most visually arresting dance programmes of recent years'. Diana and Actaeon is called the 'triumph of the evening', whilst differs from the other reviewers by calling Tresspass 'fussily over-the-top'. The robot in Machina is described 'ultimately distracting'.

6 Week Theatre Challenge: 11-15

11. What was the fist thing you saw at the theatre?

Besides from pantomimes and the occasional trip to an Agatha Christie play, I'd have to say the first thing I saw at the theatre was Sean Mathias' production of Waiting for Godot - I'd also have to say that it was this production which really inspired me to see more theatre and go more regularly.

12. What is the worst production you have seen?

I am lucky in the respect that I haven't seen many terrible productions, however, there have been one or two which just haven't clicked with me. The Late Middle Classes at the Donmar, although well acted, was a big disappointment and from the start did not grip me. The fact I left at the interval says it all. More recently Zach Braff's All New People left me feeling cold, completely failing to lift one smile from my face.

13. What is the production you're most looking forward to?

I am very excited to see The Globe's Richard III and Twelfth Night later this year (I am seeing them very late in their runs). Mark Rylance, in my opinion, is the best actor you can possibly see on stage and so hopefully these two productions are just as good as everything else he has been in. The rest of the cast also looks intriguing - Johnny Flynn as Lady Anne and Stephen Fry as Malvolio.

14. Who is your favourite theatre director?

Katie Mitchell hands down is my favourite theatre director. The sheer originality of her work really excites me and you never quite know what she will do with a text, classic or modern.

15. Which play would you most like to see?

Although not specific, I would like to see more of Shakespeare's obscure work (Pericles, Titus Andronicus).  If I had to be specific and pick a non-Shakespeare I would like to see Beckett's A Piece of Monologue performed.

Metamorphosis: Titian 2012 - Royal Opera House

There are a number of reasons why Metamorphosis: Titian 2012 is so special. The first being that it is part of the London 2012 Festival and so brings together artists from across many disciplines to collaborate on one big project. The second is that it marks the end of an era for not just one, but two familiar faces at the Royal Ballet. This production marks the end of Dame Monica Mason's tenure as artistic director of the Royal Ballet, whilst also being the last production principal dancer Tamara Rojo will dance in. The ballet itself comprises of three ballets inspired by three of Titian's works which are currently on display in the National Gallery (Diana and Actaeon, The Death of Actaeon and Diana and Callisto). The three ballets are named Machina, Trespass and Diana and Actaeon. The final reason why this ballet is so spacial is that it is brilliant.

Machina, the first offering of the night, was brought to us by choreographers Wayne McGregor and Kim Brandstrup. Taking the form of a series of lyrical duets on a stark stage, this ballet resonated throughout the evening and for me, Machina is the one to see. The inclusion of an impressively large tripod playing Diana not only added spectacle but also helped define the atmosphere from the outset, creating light throughout and showing her as an omnipotent and omnipresent being. The performances from Tamara Rojo, Carlos Acosta, Edward Watson and Leanne Benjamin showed the dancers at the top of their game. Acosta and Watson danced like their lives depended on it and Rojo and Benjamin gave sensual performances, undulating around their partners. The juxtaposition of music also added another dimension. The robotic sounds from Diana beautifully contrasted with Nico Muhly's music.

The second ballet, Trespass, offered a completely different dimension to Titian's paintings than Machino. In Trespass, we were transported to a winter wonderland with a set which comprised of a cylinder standing tall in the centre of the stage which allowed, at times, light to pass through to create various effects. Although not as stunningly beautiful as the first ballet, Wheeldon presented a unique take on Titian's work which the audience clearly loved. I did, however, think that he might still be stuck in Alice in Wonderland mode as some of the scenes echoed those chaotic ones in Wonderland. As a whole, this was an accomplished piece of dance.

The third and final ballet, Diana and Actaeon, was clearly the weak link. Given the most inexperienced choreographers (Scarlett, Tuckett and Watknins) this ballet took place in the wilderness of flowing vines. Compared to the previous two ballets, this offered a much more literal take on the story of Diana and subsequently failed to ignite any passion (the costumes were also horrendous). Saying this, it did round of the evening well and again, gave a different perspective on the paintings.

I believe that we must judge Metamorphosis: Titian 2012 as a complete cross-discipline piece of work. From the great exhibition in the National Gallery to the poems written and now the ballet, this epic event offers an invaluable insight into three of the most treasured works in the art world. As a whole experience I would have to give it five stars. It is the most fitting end to Dame Monica Mason's tenure as I can think of, showcasing talent both old and young - paving the way for new practitioners, artists, dancers and choreographers.

Unrestricted #3

Television: The Walking Dead

Set in present day America, The Walking Dead follows a group of characters as they try to survive in a world torn apart and riddled with the dead. Unlike many zombie films and television shows, The Walking Dead has depth and a good solid story with good solid characters and acting which is just as good as what you'd find anywhere else. The writing is crisp and realistic, never verging on the melodramatic. If you can throw away any preconceived notions of the horror genre before watching this fantastic show, then you will be blown away - not only is this show paced fantastically, it also does not rely on constant action which allows for great characterisation and for the audience to be able to see the interaction and interplay between the characters which is vital for a show which, at its core, is about humanity and our moral and ethical guidelines. Now entering its third season, The Walking Dead is one of the best pieces of drama you will see on television today.

Music: Mogwai

Mogwai are a 5 piece post-rock band formed in the mid 1990's who specialise in instrumentation and distorting effects. So far the band have released 7 studio albums, with the first, Mogwai Young Team, standing out due to the great inventive nature of the sound and its gripping and spellbinding qualities, taking hold of you from its haunting opening to its heavy and disorientating finish. Mogwai really are one of the most original bands out there, with every album possessing its own unique sound and vision.

6 Week Theatre Challenge: 6 - 10

6. What is the best performance you have seen?

The best performance I have ever seen would have to go to Mark Rylance as Johnny 'Rooster' Byron in Jerusalem. Rylance's performance was visceral, raw and electric, whilst also being deeply touching at the same time. It was truly a humbling experience seeing Rylance in this epic role in a equally epic play.

7. What is the best ballet you have seen?

Giselle at the Royal Opera House was a brilliant ballet to have witnessed. Tamara Rojo as the fragile Giselle and Carlos Acosta as the noble prince highly elevated this production so that it became something of a theatrical event. The atmosphere was almost palpable in the final moments and the rapturous applause proved that Giselle was just as brilliant as I hoped it would be.

8. What is your favourite London theatre.

This question is hard due to me having many favourite theatres in London. I have always found the Harold Pinter theatre quirky and full of character, however the National Theatre has everything you would ever want in a theatre. Not only does it show some really quality productions, it also offers three theatres so that the national can offer different types of works. The staff are always nice and the bookshop is a theatre buff's heaven.

9. Is there a production you wish you had seen?

Definitely. Over the years there have been many productions which I wish I had seen. Recently, I would have like to have seen Constellations at the Royal Court (I hope I can catch it when it transfers to the Duke of York's). I would also have liked to see A Doll's House at the Donmar a few years ago which starred Gillian Anderson, Christopher Eccleston and Tara Fitzgerald.

10. What is the best lighting you have seen in a production?

I really loved Bruno Poet's lighting in Frankenstein. The hundreds of lights of the ceiling of the Olivier were beautiful and the rest of the on stage lighting was brilliant - it really added another dimension to the production.

The Physicists - Donmar Warehouse

When Josie Rourke announced her first season as Artistic Director of the Donmar, Freidrich Durrenmatt's absurdest play The Physicists caught my attention for a number of reasons. Both playwright and play I was unfamiliar with and the premise sounded intriguing - three physicists locked in a sanatorium with a political backdrop of the cold war and a murder. What more could you want from a play (especially when housed in a small theatre like the Donmar)?
The premise is simple enough to start. Without giving too much away, the play opens with a bang as we are greeted with the dead body of a nurse, dressed in all white to match the clinical feel of the set. From here we are introduced to many characters, both sane and insane.
My main problem with Rourke's production was not the play (albeit some lines felt out of place), nor was it any of the technicals, instead my main problem was with John Heffernan as Mobias. As what is arguably the main role I would have expected a more solid performance, one which did not feel strained and out of place like Heffernan's did. In one particular scene in the first act, Heffernan as Mobias goes insane and accordingly frantically falls about the set - his acting in this scene seemed highly forced and awkward, never did I believe that what I was seeing was anything more than just a piece of acting in a play. However, the other performances were truly great such as Sophie Thompson as the frightful Doctor and Justin Salinger as Newton.
The play takes many interesting twists and turns, thus keeping the audience engaged and there are also some very funny moments. The ending is a real visual treat and the play to me felt relevant in light of recent scientific advancement, although it did feel more like a piece of fun theatre than anything else which left me leaving slighly underwhelmed.
The Physicists definitely deservs three stars as it is a good piece of theatre which is well directed, visualised and performed (except Heffernan). Four stars feels like a slight push for something which may slip into the back of my mind soon, although I would reccomend it to those who enjoy a good, solid production.

Unrestricted #2

Film: Melancholia

Lars von Trier's most recent film, Melancholia, is a study of two characters: Justine and Claire. With an impending collision with a planet named Melancholia, von Trier studies depression and what we, as humans, would do in out last moments alive. Textured, haunting and unforgettable are just a few ways to describe this terrific film. Kirstin Dunst gives the performance of her career as the frail bride-to-be Justine and Charlotte Gainsbourg, as always, delivers a nuanced, touching and highly commendable performance as Justine's troubled sister, Claire. The cinematography is beautiful and the use of Wagner's prelude to Tristan and Isolde serves to compliment the imagery perfectly in the opening and closing moments of this cinematic tour de force. Like many of von Trier's previous films, the use of hand held camerawork makes the action that bit more personal and intimate. Melancholia ranks as one of the best films of 2011 and deserves to be seen.

Literature: Joan Didion - Blue Nights

Although Joan Didion's most recent work may be seen as a follow up to her most famous memoir, The Year of Magical Thinking, Didion again manages to weave a web emroided and rife with emotion without straying too close to her previous work. Didion's work has always felt cathartic, and this does not change with Blue Nights - a novel about her daughter's death - as Didion seems to use words to challenge herself, making herself come to terms with events that have shaken her. Albeit Blue Nights can feel repetitive in parts and somewhat frustrating as Didion appears to not want to tackle the very difficult parts of her daughter's life, it is an interesting read which, as the reader, I could only find myself respecting and admiring.

6 Week Theatre Challenge: 1 - 5

Instead of doing a 30 day theatre challenge and subsequently having it completely take over my blog, I thought I would do 5 days all at once every 5 days, thus making it a 6 week challenge. I couldn't find a list for theatre, therefore I have constructed the questions myself...

1. What is the best production you have seen?

Controversially, I will have to go for Katie Mitchell's production of A Woman Killed with Kindness which was staged at the National Theatre last year. Hated by many, this production really hit a chord with me and to this day it has stayed with me. Being in the audience, I found this production refreshingly original, fast paced and highly enjoyable - I had never seen anything quite like it. I confess I do love a production which splits an audience, however this provocative revival would certainly get a full five stars from me.

2. What is the most frustrating production you have seen?

Michael Grandage's production of King Lear and the Donmar had me musing over it for days and days. Did I love it or did I hate it? Something just wasn't quite right and so I not only found it highly frustrating, but I also found myself eventually loathing the production which in all fairness was really quite good. After a whole year of deliberating I found the weak link to be Derek Jacobi who played Lear. For me, Jacobi's performance was just a bit too camp and safe whilst Greg Hicks' performance of Lear at the RSC really hit the spot.

3. Which play have you seen the most?

I don't tend to get the chance to see multiple productions of plays (except Shakespeare) due to there not being the opportunity too frequently. However, I have seen King Lear three times, once at the RSC and twice at the Donmar (the most frustrating production I have seen).

4. What is the most experimental production you have seen?

I haven't seen that many experimental productions so I would have to go with DV8's Can We Talk About This? Albeit not massively experimental and more controversial, this production really did examine some difficult questions through the medium of physical theatre and dance which was highly thought provoking.

5. Who is your favourite playwright?

My favourite playwright would have to be Samuel Beckett. The mix of absurdism, comedy and tragedy is beautifully handled by Beckett, therefore providing us with some of the best plays every written. There is nothing better than seeing a brilliant production of a Beckett play.

                                                       

Theatre Announcements

As many of you will already know, there have been a fare few exciting theatre announcements as of late. I am going to take you few my picks of the upcoming shows.

Michael Grandage Company

Michael Grandage, ex-artistic director of the Donmar, has announced his first season with his new theatre company which features a whole host of star names and ticket bargains. The season at the Noel Coward Theatre starts with Simon Russell Beale in Privates of Parade, a military themed comedy by Peter Nichols. The second in the season, and for me the most exciting, is John Logan's first play since RED took the Donmar and Broadway by storm. His new play is called Peter and Alice and will star Judi Dench as Alice and Ben Whishaw as Peter Pan. The third and fourth plays in this season are The Cripple of Inishmaan starring Daniel Radcliffe and A Midsummer Night's Dream starring David Walliams and the brilliant Sheridan Smith. The final production will see Jude Law tackle Shakespeare yet again in Henry V. Every show has 200 £10 tickets on sale and is definitely worth the money if you can get your hands of the £10 tickets.

Royal Court

Any new season at the Royal Court is exciting and their most recent announcement did not disappoint. Featuring new plays by Cary Churchill, Jez Butterworth and Martin Crimp this season is not one to miss. Skipping over the Court's controversial decision to not release any tickets for Butterwoth's The River until the day of the performances, this will most probably be the one to see. However, Churchill's new play Love and Information also sounds like it will be an intruiging piece of theatre.

Uncle Vanya

Chekhov's masterpiece seems to be everywhere recently, but this production at the Vaudeville will most definitely be a hit seeing as it stars Anna Friel as Yelena and Ken Scott and Vaya.

Viscera/Infra/Fool's Paradise

Although not a new announcement, I thought I would include it on this list as public booking for it opens in a few days time. A new mixed programme featuring ballet's from Scarlett, McGregor and Wheeldon makes for essential viewing, especially when top price tickets are only £37.50. If you only book for one production in the Royal Ballet's new season, make sure it is this one.

Die Walkure - Opera North/BSH

Wagner's ring cycle is the epic when it comes to opera. Clocking in at nearly 20 hours for the whole cycle, 'the first evening', Die Walkure consumes nearly six of those hours and is probably Wagner's most accomplished opera in the cycle. To take on a whole cycle is a mammoth task for any opera company in both the sheer scale of the task and the amount of money involved and so for Opera North it is quite a challenge. However, it seems that Opera North has lived up to this challenge and has made Die Walkure into an exciting and thrilling opera experience.
Ingeniously, Opera North have decided to stage their cycle over four years and in concert form, leaving behind the gimmicks and fireworks other production fall back on when staging the cycle. This decision by Opera North has to be applauded as it was a huge risk to take - would it leave the audience unengaged? Would we eventually loose interest? I can happily report that it had the complete opposite effect. The five and a half hours passed by in an flash and we, as the audience, were left craving the second day of the cycle; Siegfried. What this staging gave the audience was a chance to fully immerse themselves in the music as for once the orchestra were not hidden in the orchestra pit of the Royal Opera House or at many alike theatres, instead we could see the music being created first hand - something which I believe is vital when it comes to any opera.
Besides from the orchestral staging, another impressive artistic decision taken by Opera North was to have a triptych of screens above the orchestra which were flooded with beautiful and mesmerising video footage such as a dense, snowy forest in Siegmund's escape and the running stream turning a blood red at his death. The screens really added another dimension to what was already a wonderful production.
The cast were all at the top of their game, bringing the fiery intensity needed for every character in Die Walkure. Erik Nelson Werner gave a passionate account of a man who's love for Sieglinde meant more than life and Katarina Karneus gave a brilliant diva-like quality to Fricka. The Valkyries also gave stellar performances, pleading with their father to not punish their beloved sister.
Five stars somehow does not seem a high enough rating to give this exquisite concert hall staging of Wanger's masterpiece. Everything seamlessly fell into place and helped create a truly unique afternoon at the opera. I will most definitely be in attendance at Opera North's staging of Siegried, the next (and penultimate) opera in Der Ring de Nibelungen.